#also hi i'm back from the dead

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[flying-cat]

people who undermine the importance of izuku and katsuki's relationship throughout bnha because of "annoying shippers" or because they just don't like katsuki are insane because their relationship is literally so? important??? to the entire story???? katsuki is the deuteragonist of bnha. he was one of the first characters to show up. he was the first other person to know about OFA. so much of the manga is spent showing his development. if you deny his character development and relationship development ("relationship" does not always mean romantic relationship) with izuku, you are quite literally denying a massive part of the series. the manga starts with them and ends with them. you're allowed to dislike him but if you dislike him so much that you, in turn, start hating how izuku is a "punching bag" or a "doormat" for the entire series because he doesn't stay angry and vengeful at people even though a massive part of his character is that he's compassionate and kind even to people who aren't to him or used to not be, and you seriously think that that makes him weak, and you just start to dislike the main two characters of the series, i think you should. idk. stop reading, probably. read the revenge fantasy shit that you obviously want to read. there are like seven million manhwa available to you where the character gets the revenge you so desperately want to see.

[bertoyana]

something something when your best friend, your wife, and your daughter take the killing shot that was meant for you

X-Men: First Class | X-Men: Apocalypse

[tobi-smp]

you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot

and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore

and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.

but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.

because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).

and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.

and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.

but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.

and it's like !

when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.

but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.

out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.

the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.

mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.

what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.

but it's just not in the text.

not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.

it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.

meanwhile, we have the video above.

we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.

and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.

because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.

but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.

technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.

how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?

That's interesting. That's Compelling.

technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.

and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?

That Doesn't Quite Help Your Case.

technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.

that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.

"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.

and, importantly, it doesn't have to be anyone else's Fault.

by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.

and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.

and the answer to that is, often, vulnerability and accountability.

I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.

tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.

There's Something There, and it's already In The Text. it just needs to be expanded on.

and why not do that ourselves now?

[dootznbootz]

Odysseus is the type of guy who oozes rizz and can and will say the sweetest shit to Penelope and revels in her being happy with it ("You're beautiful in red" when she blushes. THAT type of cheesy bullshit. Have you READ the shit he says to her in the Odyssey?) but if she gives it back, he just freezes and Odysseus.exe stops working. Especially since he was the one doing all the flirting in the beginning until she finally chills out and "allows" herself to have a crush.

Penelope: ...You know, I don't really know if your name fits you. Odysseus: Oh? You don't think "Pain in the ass" is a good fit? Penelope: It definitely is...But...I don't know. Maybe it's because when I think of you, I don't think of pain, I think of joy... Yeah, instead of "pain giver", you're a giver of joy."Joy Giver" perhaps? Odysseus:

Penelope: ...Are you okay? Odysseus: *completely red and continues to make a high-pitched squeaking sound like air being let out of a balloon*

He gets more used to it as they get further along in their marriage but in the beginning, this guy was screaming into his pillows and kicking his feet and twirling his hair and being stupid :D

[fridgefeet]

the msa trio go to a halloween party! 🎃

[ambrosykim]

i find it an interesting detail that this is where the thumbnail comes from, specifically the frame where he says "demonized" (from the titular song)

now i've only watched npmd once so idk if there's any like. subtext as to if max was a typical bully in how if he bullied others due to his own background or insecurities or if he was just genuinely just a terrible person, but it seems interesting that starkid chose this specific frame to go on the thumbnail (i get it he does look frightening and cool at once and it conveys the vibe of the musical)

i mean it's obvious that he's a completely deranged person (i think especially after coming back from the dead) but yeah, what i thought was interesting, was that by starkid choosing this specific frame, they're also immediately demonizing him to anyone that stumbles upon the musical, even before starting it so!!!

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[tenojan-in-tevinter]

Leaping across my walls and chewing on the bars of my cage about a romanced lich!emmrich timeline where rook dies and he becomes a super powerful tough boss fight for the next dragon age protagonist. And there's journal pages scattered around the area he's found in, detailing the months leading up to rook's death as well as the excruciating decline in his mental well-being and overall emotional stability following the loss. Maybe it was slow, something that couldn't be stopped but they both saw coming. Some sickness. He obsessed over finding a cure but he couldn't. No one could. And during the fight he has lines where he's just so emotionally fixated on rooks death and he's like "what was the point of it all, without you...." and "if I had just searched harder... longer..." and by the end of the boss fight the fifth protag is like "damn. I dunno if this guy deserved to die... he was pretty fucked up." And then they just move on and never speak of it again. It would be a minor side quest btw. Something that doesn't get much to reminisce about.

Or or or!!!! During the boss fight you get to meet rook. And it's horrible. It's awful. They've become twisted and vengeful and mindless. They're just bones but emmrich has made them glitter and shine with gems and gold and whatnot. But emmrich still just sees them like nothing's changed. He has lines about fixing them and "working out the kinks" or something. They're really annoying because their attacks are fast and hard to dodge. And they leap all over. Like an attack dog. Like a beast.

[voiider]

I think mayhaps that Batman should exclusively be a member of the Justice League Dark. He doesn't really like working with people but also sometimes John Constantine is like "You know Batsy, If you help me save the world by proxy it saves Gotham" So he does begrudgingly. But only sometimes when they need help with some things because he's like a very good detective and sometimes you need that! But also mostly I just want the rest of the Justice League to not believe that The Batman is real??

There's an issue that they need dealt with and they think it's a demon so they call Constantine and he's like "nah mate, this is just weird ritualistic sacrifices, I got a call to B-man on this one"

And Superman is like "haha The Batman isn't real... Right?" And then they meet him and he is very much real.

And Diana is all like "Oh Clark you silly, obviously The Batman is real" But internally she's like "holy shit The Batman is real???"

Green Arrow still doesn't believe it because he keeps missing any mission that The Batman happens to go on and he's like "If The Batman was real my best friend Brucie Wayne would have told me so. Brucey said that the Batman is just a scare tactic created by the Gotham Police department" So he's pretty sure that the rest of the Justice League is just playing a long practical joke against him specifically

[kerryweaverlesbian]

Jack au where he's a psychic who can commune with ghosts. Almost every major character from Supernatural is a ghost. Including Sam Dean and Cas. This would serve these major tennants of his relationships:

Isolated. The people Jack spends the majority of his time with are NOT part of the normal world. Sam, Dean, Cas and Mary live in a bunker and don't know how to be people. The AU hunters are literally from another world. His mom is dead. Kaia is split between realms. The only Real people he knows well are his young adult nerd friends and arguably Harper. You don't want 1/4 of your tie to reality to be a witch who wants to be Cheryl Blossom from Riverdale as her life's aspiration. That's no way to live!

Intangible. Because of Jack's immense power, he is, in a sense, untouchable. He is stopped when people hug him or push him or shoot him because he chooses to stop. There is a veil between him and them. There is also a scarcity of common ground. There is nothing else out there like him. Dean might stomp and bark and howl but, ultimately, what can he do to Jack physically? Nothing. The only power the ghosts have is emotional and social. Imagine being outcasted by the ghosts who can only see you and each other. Ouch!

Fleeting. Everyone he cares for is doomed to die. This happens even before he's born with Cas and Kelly and Mary, but also throughout his life. He both has long strings of tragedy in short periods AND he's immortal and worries about it. Loss and loniness are inevitable for him on a massive scale. Cas might claim that he'll be there with him but he dies like twice a year at least. Picture ghost!Cas midway through a reassuring speech that he's always going to be there with him fading out into the veil mid-sentence.

Guilt-ridden. Life is wasted on the living, isn't it? Youth is wasted on the young. He's got dozens of ghosts needing him to live in the way they want him to so they can feel alive again, and he's not capable of being that (literal) lifeline. He needs to learn how to say no and stick to it. He needs to learn how to live with the fact that he has to disappoint people to live well sometimes. He has to engage with the living, because the dead are going to kill him if he hangs on to them too long.

So if someone could write this devestating yet beautiful 25k+ fic for me that'd be really swell.

[autisticrosewilson]

Every year Kate holds her own Kane Family Events™️ on the same nights as Bruce has his, a cousin rivalry that's been going on as long as either of them can remember.

Dick occasionally joined the Kane's to spite Bruce the first few years, but eventually settled into his Richy Wayne persona.

Jason attended the first few Wayne galas, and immediately decided he wasn't fond of all the formality. He made a deal with Dick, he'll go to the Kane events and bring back leftovers if Dick does the same at Wayne events.

He ends up having a lot of fun! He's pretty much immediately hoisted over to the kid table, which would be more offensive if 18 year old Bette Kane weren't also there. Eventually someone else joins their little gossip duo, a blonde boy named Joey whose around Dick's age. Apparently his mom is Kate's aunt or something and she runs the New York branch of Kane Corp. He's pretty cool, Jason was a little surprised he couldn't talk but he knows ASL so it wasn't an issue and they have a lot in common!

Flash forward a few months later. There's a new Titan team, and Jason gets to visit them today. He's heard of them all at least, Wally, Kori, and Donna are regular fixtures at the manor, and he's met Roy a few times too. He's NOT expecting to see Cousin Joey lounging on the couch.

"-and this is Jericho, or Joey." Dick introduces, oblivious to Jason's inner turmoil.

"Nice to meet you." He says on autopilot. He opens his mouth to- to? He's not actually sure what he could say but he doesn't get the opportunity either way.

Joey waves back, curt and polite as would be expected of two perfect strangers. There's a secretive little smile quirking his lips, the one he gets after he drops a particularly juicy piece of gossip.

Jason's lips thin, keeping the questions trapped behind his teeth. He nods subtly, and the introductions move on.

It's only at the next gathering, with Bette off at the buffet, the two of them sequestered in the corner, that he makes a realization. "Oh my God auntie Addie is a meta!" He gasps, interrupting the conversation. He'd barely thought it through. He saw Adeline deeply engaged with the annual drinking contest out of the corner of his eye and it fell from his mouth before he could stop it. If Joey is a meta that was born with his powers, he had to get them from somewhere. He's not exactly surprised that Addie is a metahuman, he just hadn't realized.

Joey gives him a weird look, part amused and confused before he seems to follow Jason's train of thought. He shakes his head with a grin, signing father. Like that gives him any context.

Joey doesn't talk about his dad. Whoever he is has never shown up to one of these events as far as Jason could tell. His only clue is the last name Wilson, not one that Joey uses himself, but the one entered in the system at the tower.

He turns that information around in his head, utilizing all of those detective skills to piece the clues together before Joey interrupts him with a gentle nudge.

He's picking me up tonight if you want to meet him, Joey offers, a spark of mischief in his eyes that makes Jason suspicious.

Jason chokes on his own spit as he watches Deathstroke emerge from a Benz, dressed down in jeans and a T-shirt. The man gives Jason a look over, recognizes him, and then ignores him completely. Ushering Joey into the car talking about tickets to some events or other that may or may not be a mission.

[good--merits-accumulated]

going through some old left-for-dead projects and just found this one where I was like. INTENT on dissecting jeff's brain on the operating table (i.e. google docs) but only from todd's weird skewed pov

[professor voice] it's about brothers as eternal combatants and it's about being so convinced of your own goodness you excuse your shitty actions. it's also about comparing yourself to a dog because you feel less fully formed than your brother. lol.

[camellcat]

reading a post s7 fic and it's got me thinking... like, y'know, maybe the reason wil and xand struggle with their partners is because no one really comes above buffy. they're part of the slayer's arsenal, her best weapons, her biggest supports. and why buffy has such people troubles in general is because she will always always save wil and xand before anybody else. cause it's them three against the world

[aleksanderscult]

In your post about the Darkling where you listed your opinions of him (first impression, impression now, favorite vs least favorite thing, etc) you said how if you had to choose a least favorite quality it would be his grumpiness (especially in RoW). Since I refuse to touch that cursed duology if it’s okay, may you explain what you mean? I know we get some of the Darkling’s POV but that’s pretty much all I know. Could this entire trait of his be a product of Bardugo’s retconning habit or is it something more?

Aha. I see you're practicing self-care too, dear anon. 😌

Here are some examples:

From his POVs we can see that Aleksander is very pragmatic but also bad-tempered and bitter but that's completely understandable.

He has just been resurrected and:

1) Encountered a Saint that he detests.

2) Found his country to be in the worst state possible. Flanked by enemies and ready to attack.

3) Oh and let's not forget that devastating blight! ☝️

4) His captors have treated him like shit and put him under inhuman conditions.

5) Saw the woman he loved live a life that she doesn't deserve, being a shell of her former self and married to a man that he hates and considers worthless.

6) He's all alone. No Baghra, no Alina, no allies, no soldiers. He has to start from all over and has found himself surrounded by idiots (but even so he feels the need to protect them).

The fact that I find his grumpiness kinda annoying is because I as a person have been surrounded by grumpy people all my life so I can't help but find it unattractive and bothersome.

But then again, Aleksander has a really valid reason for being this way. It's very possible that he took this sarcastic attitude from his mother. After all, they had spent so many years together that Aleksander really adopted most of her traits, unwillingly or not. But I also believe he's that way because he has lived for too long.

He's immortal. He has done everything and seen everything, has seen people being kind and cruel, predictable or unpredictable. His experiences have only made him more bitter but that's also because he hasn't seen any positive changes or results from his constant battle against the persecution or how Ravka and the Grisha have no regard for him or don't notice his efforts at all.

Anyway, he's bitter about many things. In RoW he's that way for the reasons I explained in the beginning but, as a whole, he's resentful for a bunch of reasons that include his immortality and its consequences, the loss of people he loved, his strive to be seen and appreciated and the horrors he has witnessed.

[loki-ioki]

i made an edit of Turo for what he looks like after he comes back to life in my verse/AU. Mister Leroy take me awayyy